Lyriel's Road Not Taken

Two roads diverged in a yellow wood
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could

Lyriel's Leverage album is sometimes seen as a transitional work between their earlier 'folk metal' and the heavier more Gothic metal of Skin and Bones. A good track to illustrate this, perhaps, is The Road Not Taken with its journey from acoustic guitar and strings to full-band metal for the final chorus.

Be that as it may, this is an interesting track lyrically, based as it is on the apparently deliberate (and possibly fatal) ambiguity of Robert Frost's 1915 poem.

Both song and poem end on the phrase, "Two roads diverged in a wood, and I - I took the one less travelled by, and that has made all the difference". 

In our time of celebration of difference and our felt right to make our own choices, this lyric is often seen as telling us to walk our own distinct way and choose our own unique destiny. Yet, according to Frost's biographer, Lawrance Thompson, the poem is based on Frost's indecisive friend Edward Thomas, who "whichever road he went, would be sorry he didn't go the other." So the original poem is about the waste of energy in pointless regret, always looking back and worrying about "what if".

Which way does the Lyriel song lean? It is, of course, hard to tell as they retain the ambiguity in their selection of lines from the poem.

But there may be a pointer in the final song on the Leverage album, Repentance. This features the following lyric:

"Repentance is a path that we can not walk for long, my dear. ... Come with me and I will show you how to choose a side."

So maybe their take is that you can only waste energy worrying about the past for so long, before you need to commit to one path or the other.

Of course I may just be projecting my own views onto this - it is easily done.

Because I have undoubtedly wasted time and energy myself second-guessing choices already made. Somewhere there is a balance between flexibility and commitment and I don't always hit it, I know.

From a Christian point of view, our calling is to serve God through Jesus wherever we are, in whatever circumstance. It makes sense to seek God's will for the future perhaps, but not to stress too much about it. He is with us wherever we are and, I think, he most appreciates working with us on the choices that we ourselves make and are fully committed to.

So our calling is to commit to our path with God, here and now. Not to worry overmuch about either past or future, but to be fully present in, well, the present. That's where we can make a difference.

Frost's indecisive friend, Edward Thomas, finally decided to commit to signing up for the First World War shortly after, where he was duly killed on the first day of the Battle of Arras. The story is told in this rather interesting article in the Guardian. After finally enlisting he sat down with a friend and told her that he was glad to have made the decision, he didn't know why but he was glad.

Things will happen which will trample and pierce, but I shall go on, something that is here and there like the wind, something unconquerable, something not to be separated from the dark earth and the light sky, a strong citizen of infinity and eternity.

Autumn Moon Bands Day 2

Lyriel - Highlight of the festival

Back to Hamelin for the second day of the Autumn Moon music festival, not to mention the Mystic Halloween Market.

After getting up at 8am (groan!) for breakfast, we spent an enjoyable morning wandering around Hameln - a very pleasant little town, slightly touristy, the central area very close within the old town walls, with plenty of interesting things to see. Then, fortified by bread on a stick from the market, off to Sumpfblume  to start another day's music.

First up were Diabulus in Musica, a band who weren't in the original advertised lineup, I think, so we had no idea what they'd be like. As it turned out they were surprisingly good: a Spanish band playing orchestral-style FFM with a very pregnant-looking lead singer. Quite how she could sing like that with what must have been a pretty immobile diaphragm is a mystery. But they were an unexpected treat. The video clip above is very short and has poor sound, but it does nicely illustrate the singer's condition. Like many bands I enjoy, their sound includes light and dark, heavy and soft. If you click on the band name above and scroll to the bottom of the page there are some videos which give a better idea of their music.

After them we stayed in the Sumpfblume for Ravenscry, another FFM band from the Mediterranean, this time from Italy. They'd seemed quite reasonable on the preview video, but live they were painful. Bass and twin guitars all turned up to 11 on both fuzz and volume. No colour, no inventiveness and no sign of originality in the first two songs, so we left them to it.

Across to the Rattenfängerhalle for some supposed cyberpunk-rock, with Dope Stars Inc. Actually fairly generic punk-pop, even emo-pop: heavy on eyeliner and hype, light on originality. Okay, but not exciting.

Staying put, we had a change in style with Clan of Xymox, a kind of gothic OMD: 80's synth-rock, or maybe pomp-rock, brought slightly more up-to-date. Not really my thing but actually done quite well, I thought. In fact, they reminded me that I quite liked OMD back in the day.

I'm starting to get very tired at this point, so it was handly that the next band we wanted to see, Mythemia, were back in the Schiff, where I hoped to get a bit of a sit-down. No chance! Storytelling folk in a mix of German and English, based around myths and legends (hence the name, I guess), so lively and well-played there was no way I could stay sat down at the back. Brilliant, a real treat! If you get a chance to see them yourself, then do.

We had thought about about heading back to the Rattenfängerhalle next to see Leaves Eyes, the one band at the festival that we had seen before: Scandinavian symphonic FFM, with a new album out which had been receiving good reviews. But I was just totally shot, and going nowhere.

So we stayed on the boat and watched Laura Carbone instead; I'm really pleased we did, although I ended up back on my feet again. She's a female indie-rock singer, reminiscent to me of Sheryl Crow in her vocal style. But what really got me going was the band she had with her. They were just fantastic: the drummer and guitarist would start off doing drummy and guitary things but then just veer off in all sorts of strange directions and somehow the bass player would keep the whole thing together in a cohesive and exciting whole. Just wonderful: live music at its best!

Time for a sit-down and a bite to eat before I simply fell over where I stood.

Then to the Rattenfängerhalle for a band I'd been looking forward to: Beyond the Black. In the videos I had previewed they played quality melodic FFM, with hints of folkiness: very enjoyable. In the flesh they were a disappointment. Not too bad but a long way short of what I'd hoped for. Apart from the singer the band just seemed to lack musicality. Nearly all the time they had all the instruments playing basic rhythm and no-one  doing anything vaguely interesting with it. The vocalist was undoubtedly good, and when she played piano she made it interesting, but I don't know what happened to the rest of the band. A bad day at the office, perhaps.

Then off to Sumpfblume for Schwarzer Engel. Male-fronted operatic metal, okay in the preview video, if a little generic. Live they were more sledgehammer metal than operatic, but within that context surprisingly decent. Worth seeing, but not worth going out of one's way for, really.

By now it's close to midnight and I'm getting worried about whether Lyriel will be worth all the effort. After all we'd never seen them in the flesh, and Beyond the Black had just illustrated that bands don't always live up to their recorded promise when they're live. It would have been a long way to travel to see a disappointing band.

I needn't have worried. Half-eleven and the band come onstage, dressed in strange white masks - I've no idea why - and burst into Skin & Bones, the title track from their new album. Straight in with energy and presence, it was great! We were right at the front and their sound was beautifully balanced - cello, violin, guitar, bass, drums and, of course, voices, all coming through with clarity and vigour - and they played with great style and energy.

Lyriel are another band who vary their music, quieter songs amongst the metal, melodies weaving around the rhythms, folk and rock together. But live I really noticed the contrast between the sheer joy of the music and the often sad and heartfelt lyrics.

One advantage of a band with a violinist is that they can lead a dance around the venue - not quite a pied piper, more a dancing fiddler, but great fun nonetheless.

All in all, Lyriel were an absolutely wonderful climax to a brilliant festival, and an amazing way to celebrate our thirtieth wedding anniversary.