Bombastic? Overblown? Serenity!

... and they were absolutely marvellous.

I'm talking about the melodic metal band Serenity, of course (named after the ship in Firefly apparently).

Last night we went to a concert at Koko in Camden to watch Delain headline with Serenity and Cellar Darling in support.

The doors opened late, and it took some time to get the sellout crowd into the venue, so we missed the first half of Cellar Darling's set. Apparently there was some sort of mishap as they started, which may have put them off a little, but they sang several interesting folk-metal songs. Mostly they were accompanied by the hurdy-gurdy, as well as the usual drums and guitars, which made for an original sound; although my favourite song was one accompanied by flute instead (which I now can't remember the name of, sigh). The lead singer is definitely a talented musician.

Serenity were up next and really hit the ground running with Deus Lo Vult,  the highly dramatic instrumental which opens their new Lionheart album, continuing with United from the same album. Four older songs followed before the set peaked with the title track of Lionheart. They finished with Follow Me.

There are lots of things I like about Serenity: they are a really powerful band, musically, vocally and lyrically, yet they understand and use light and shade, heavy and gentle, slow and fast. Their frontman Georg Neuhauser, who is also their songwriter, has a remarkable voice, yet they ring the changes on vocals, with a second male voice in the band and a guest female vocalist for some of the songs.

It helps that Neuhauser is apparently a history lecturer so he has interesting things to say on the historical themes which the band so often sing about. Although it has to be said their Lionheart album is something of a whitewash of Richard the Lionheart, who was a complex and not always honourable leader: the album is more about the legend than the reality.

What about the headliners, Delain? Hmm. Koko was sold out last night, so there was a vast number of people in a limited area. Add to that a bevy of six-footers who felt they had to stand right in the centre, blocking people's view, along with the rudest crowd I have seen at a melodic metal concert: pushing and shoving their way around. I was feeling downright claustrophobic and Delain took forever to come out, so I wasn't at all enjoying myself by the time they did.

It was the last night of the tour and Charlotte Wessels' voice sounded quite badly shot to me, so maybe they had to spend time working on her throat so it could survive one final night, hopefully without damage. Wessels has a very distinct timbre normally, which was missing last night - so much so that at first I wondered if they had a guest singer themselves.

Nevertheless she hit the notes and the whole band sang and played well. A particular treat was that they did have a guest singer: Marco Hietrala, who came out and did the male vocal parts to several songs which they don't normally perform on tour; I especially enjoyed Control The Storm.

I don't really like going to London for concerts, because the journey back is always grim; the wonder of privatised rail: first-class prices for a third class journey. Last night/this morning the train was standing room only - just four coaches so what can one expect - and a points failure outside Slough added to the delight. Still we got home eventually, and it is always good to see live music.

To finish with a bit of enthusiasm: a song which Serenity sadly didn't do last night, but which I think is brilliant:-

Autumn Moon Bands Day 1

Four weeks ago BlackLin and I went to Hamelin in Germany (of Pied Piper fame) to a music festival there: Autumn Moon, which was sharing a site with the Mystic Halloween Market - of which more anon ... if I ever get to part three of this series of posts.

There was one band we really wanted to see, Lyriel, who only seemed to play in Germany, so if we were to see them we would have to travel. As Autumn Moon was the half term weekend shortly after our thirtieth wedding anniversary, we decided to treat ourselves.

Our lack of German language skills was a bit of a challenge, especially as Hameln is quite a small town so there was limited English spoken, but we managed.

The festival ran on three main sites: the Rattenfängerhalle - Ratcatcher Hall - was the main stage, then there was a smaller stage at the Sumpfblume - Swamp flowers - and a tiny stage on a ship - large barge really. The Mystic Halloween Market also had its own open air stage where some of the bands also played.

At 3pm on Friday things kicked off at the Rattenfängerhalle with Austrian band Serenity, a band who had previously supported Dio which seemed a good sign. They played melodic metal fronted by two vocalists - one male and one female - and were absolutely brilliant. Their music had colour, energy and interesting lyrics (in English). If the festival is using a band this good to open at 3 o'clock in the afternoon, what would the rest of it be like?

After buying a Serenity CD from their merch stall ,we wandered over to the Schiff for WaldKauz, a German folk band. The Autumn Moon website had provided links to YouTube previews of most of the bands, including Waldkauz. They looked okay on YouTube but not that exciting. Live they were far better, although folk in a foreign language has its limitations. Later they also played on the outdoor market stage, which actually suited them better, I thought, than the slightly cramped Schiff.

After that we had a choice: stay on the Schiff for Ye Banished Privateers, or pop across to Sumpfblume to see electro-pop-rock band Tüsn. We chose the latter. Tüsn were basically okay but incredibly pretentious. Fortunately we knew Ye Banished Privateers would be on later in the Rattenfängerhalle.

A bite to eat then back to the boat for Tibetrea: pagan folk with medieval instruments and female harmonies. Actually much better live than their YouTube videos had suggested. Good fun but not as exciting as some of the other folk bands we saw.

Then across to the Rattenfängerhalle for Megahertz: rock with a very deep male singer. Slightly weird but a bit too Alice Cooper for my taste.

I'm flagging by then, to say the least, but the boat had seats, if you didn't mind being a bit far back from the action. So back to the Schiff again for Dunkelschön's take on folk rock. As the name implies they mixed dark and light, with some lovely melodic songs interspersed with some much heavier and rockier tracks. Enjoyable.

Back again to the Rattenfängerhalle for Omnia: more pagan folk, this time from Bohemia. Interestingly their style of folk is quite eclectic and there was a good reggae beat going on at times. Enjoyable but, in spite of some interesting touches, in the end they became a bit repetitive.

We stayed put for the Friday night headline act: Deine Lakaien. Male voice over keyboards mostly; the YouTube video had sounded good but live I found them dull. That said, the hall was packed with people who were having a great time, so it has to be a matter of taste.

We popped over instead to the Sumpfblume to listen to Euzen who gave, I felt, the worst performance we saw that day. They play a kind of female-fronted indie pop. They had sound issues at the beginning; but even after they resolved these initial difficulties their sound remained unbalanced, too loud and frankly rather grim.

The Sumpfblume complex includes a cafeteria so we retreated there for a mysterious snack which turned out to be a kind of extra-thick pancake. Good sustenance for midnight after a couple of disappointing bands.

After Deine Lakaien finished Ye Banished Privateers set up in the middle of the audience area to play some really enjoyable pirate rock. I quite fancied seeing Trollfest, whose video shows them as basically playing bonkers rock/metal (click on the link above to see what I mean), but by then it was half-one in the morning and we were shattered, so we decided to quit while we were on a high from the Privateers.

So, day 1. Ten bands: six decent to good, two that we didn't enjoy, and two really excellent, in very different ways. Not bad for day one of a festival where we didn't know any of the bands before we booked. Oh, and some really interesting and very tasty food along the way.